===================================================================================================== Date: 1/1/23 Client: Barbecue Blues King and the Fiddlin’ Ribs Producer: John Brown Tracking Engineer: Jimmy Dean Sample Rate: 44.1 Bit Depth: 24 Style: Blues ===================================================================================================== Track Listing: 1. Train a’Coming Blues - A Major - 6/8 Dotted Quarter = 75 bpm Kick IN Kick OUT Snare Top Snare Btm Rack Tom 1 Floor Tom 1 Overheads - XY Drummer’s Perspective Rooms - Blumlien Bass DI Bass Amp Rth Gtr L DI Rth Gtr R DI Solo Gtr DI RGL Amp RGR Amp Solo Gtr Amp Piano L Piano R Piano C Piano Tail Pair B3 TOP B3 BTM Alto Sax Tenor Sax Bari Sax Trumpet 1 Trumpet 2 Lead Vox Dbl Lead Vox Bgv L Bgv L Dbl Bgv R BBv R Dbl Plate Reverb Return Print Tape Delay Return Print 2. Blues Train Blues - Bb Minor - 4/4 - 130 bpm Same as track 1 with a few modifications Bass is upright bass 2nd trumpet is now trombone 3. Pride and Joy (SRV Cover) - F Major - 4/4 - 125 bpm Just drums bass, guitar, Lead Vox, Organ, and piano. Same setup as track 1. No Horns or Bgv. 4. Shake It Girl - B Major - 4/4 - 72 bpm Same as track 1 but with no Organ 5. Girl Shake It - Cb major - 13/8 - 8th note = 260 bpm Same as Track 1 with Hand percussion Overheads - Spaced Pair - Audience Conga High Conga Low Timbale High Timbale Low Traps Spot Mic 6. Shake It Girl Exclusive Live Reprise Same as track 4 but with Audience mic - ORTF - Stage Piano - XY - Low Left 7. F0nked About and F0und 0ut Blues - Eb Minor - 4/4 - 100 Bpm Same as track 1 but with Roland TR808 8. Thank U Very Much Blues - Bb Major - 4/4 - No Click, freeform. Banjo and Acoustic Duet Stereo Spot Mics Blumlein Room Lead Vox Harmony Vox ===================================================================================================== Notes: Guitarist insisted on amplifying Rhythm Guitar using nothing but mashed potatoes and Neve 1073. Said something about him getting that “Creamy Sound.” He’s since left the band but we want to put the record out anyway. Recommend reamping. We really love George Thorogood, could you reference Bad to the Bone for your mix? We also love Earl Sweatshirt’s vocals, could you get that for track 7? =====================================================================================================