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Date: 1/1/23
Client: Barbecue Blues King and the Fiddlin’ Ribs
Producer: John Brown
Tracking Engineer: Jimmy Dean
Sample Rate: 44.1 
Bit Depth: 24
Style: Blues
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Track Listing:

1. Train a’Coming Blues - A Major - 6/8 Dotted Quarter = 75 bpm
Kick IN
Kick OUT
Snare Top
Snare Btm
Rack Tom 1
Floor Tom 1
Overheads - XY Drummer’s Perspective
Rooms - Blumlien
Bass DI
Bass Amp
Rth Gtr L DI
Rth Gtr R DI
Solo Gtr DI
RGL Amp
RGR Amp 
Solo Gtr Amp
Piano L
Piano R
Piano C
Piano Tail Pair
B3 TOP
B3 BTM
Alto Sax
Tenor Sax
Bari Sax
Trumpet 1
Trumpet 2
Lead Vox
Dbl Lead Vox
Bgv L
Bgv L Dbl
Bgv R
BBv R Dbl
Plate Reverb Return Print
Tape Delay Return Print

2. Blues Train Blues - Bb Minor - 4/4 - 130 bpm
Same as track 1 with a few modifications
Bass is upright bass
2nd trumpet is now trombone

3. Pride and Joy (SRV Cover) - F Major - 4/4 - 125 bpm
Just drums bass, guitar, Lead Vox, Organ, and piano. Same setup as track 1. No Horns or Bgv.

4. Shake It Girl - B Major - 4/4 - 72 bpm
Same as track 1 but with no Organ

5. Girl Shake It - Cb major - 13/8 - 8th note = 260 bpm
Same as Track 1 with
Hand percussion Overheads - Spaced Pair - Audience
Conga High
Conga Low
Timbale High 
Timbale Low
Traps Spot Mic

6. Shake It Girl Exclusive Live Reprise
Same as track 4 but with 
Audience mic - ORTF - Stage
Piano - XY - Low Left

7. F0nked About and F0und 0ut Blues - Eb Minor - 4/4 - 100 Bpm
Same as track 1 but with
Roland TR808

8. Thank U Very Much Blues - Bb Major - 4/4 - No Click, freeform.
Banjo and Acoustic Duet
Stereo Spot Mics
Blumlein Room
Lead Vox
Harmony Vox

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Notes:

Guitarist insisted on amplifying Rhythm Guitar using nothing but mashed potatoes and Neve 1073. Said something about him getting that “Creamy Sound.” He’s since left the band but we want to put the record out anyway. Recommend reamping.

We really love George Thorogood, could you reference Bad to the Bone for your mix? We also love Earl Sweatshirt’s vocals, could you get that for track 7?

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